Adobe Illustrator Photoshop And Indesign

Adobe Illustrator Photoshop And Indesing
Learn Photoshop Indesign And Illustrator
Adobe Indesign Illustrator And Photoshop Cs6
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The Adobe Creative Suite comprises of many different pieces of software, the big three for all Designers is Photoshop, Illustrator and InDesign but actually what are they all used for? The most commonly used is Photoshop, this is rastor based which means each image is made up of tiny dots or pixels.

Top Questions

No, the desktop applications in Creative Cloud, such as Photoshop and Illustrator, are installed directly on your computer, so you don't need an ongoing Internet connection to use them.

An Internet connection is required the first time you install and license your apps, but you can use the apps in offline mode with a valid software license. The desktop apps will attempt to validate your software licenses every 30 days.

Annual members can use the apps for up to 99 days in offline mode. Month-to-month members can use the software for up to 30 days in offline mode.

Your Creative Cloud files are stored on your desktop as well as on the Creative Cloud servers. If you cancel or downgrade your paid membership, you will still have access to all of the files in the Creative Cloud folder on your computer and via the Creative Cloud website.

Your account will be downgraded to a free membership, which includes 2GB of storage. If you’re using more than 2GB of storage, you will not be able to upload any new files to the cloud until the amount of online space used in your account drops below your allotted amount.

If you are over your storage limit, you have 90 days to reduce your online usage or you may lose access to some or all of your files saved on the Creative Cloud servers.

No, you can continue using your current version of the product as long as you have an active membership. You have flexibility on when and if you install a new release.

Students and teachers can purchase Creative Cloud at a discounted price. See the Students and Teachers plans page.

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Howyou import Illustrator graphics depends on how much editing thegraphics require after you import them. You can import Illustratorgraphics into InDesign in their native (.ai) format.

If you want to adjust layer visibility in InDesign...

Importthe graphic using the Place command, and when you want to edit it, chooseEdit > Edit Original to open the graphic in Illustrator.For example, for a multilanguage publication, you can create a singleillustration that includes one text layer for each language. Youcan transform the illustration as a single object in InDesign butyou cannot edit the paths, objects, or text within the illustration.

If you want to edit objects and paths in InDesign...

Copythe art from Illustrator and paste it into your InDesign document.For example, in a magazine, you might use the same design elementin each issue, but change its color every month. By pasting a graphicinto InDesign, you can change objects’ color, path, and transparencyusing the InDesign tools designed for that purpose.

Importing Illustrator graphics with multiple artboards

Illustrator CS4 graphics can include multiple artboards. When you import an Illustrator graphic with multiple artboards, you can use Import Options to specify which artboard, or “page,” is imported.

You can save an Illustrator graphic as a layeredPDF and control the visibility of layers in InDesign. Adjustinglayer visibility in InDesign lets you vary an illustration dependingon context. Rather than create multiple versions of the same illustration,say for a multilanguage publication, you can place the same illustrationwhere needed and adjust the visibility of the layers as appropriate.

You can transform a PDF as a single object (you can rotate orresize it, for example), but you cannot edit the paths, objects,or text within the illustration.

If you’re placing an Illustrator file that includes multipleartboards, you can specify which artboard is used, as when placingmultipage PDF files.

Note:

Don’t place layers in nested layer sets if youwant to adjust layers in InDesign.

In the Save As dialog box, type afilename and choose a location for the file.

For Format, choose Adobe PDF (.pdf), and click Save.

In the Adobe PDF Options dialog box, choose Acrobat 6 (1.5)or later for Compatibility.

Select Create Acrobat Layers From Top-Level Layers, and clickSave PDF.

When you paste a graphic from Illustrator into an InDesign document, the artwork appears in InDesign as a grouped collection of editable objects. For example, if you paste an Illustrator drawing of a soccer ball with individually created patches into InDesign, the patches are pasted as a group, which can be ungrouped and edited using tools in InDesign. You cannot change the visibility of layers within the illustration.

Illustration of soccer ball in Illustrator (left) and sameillustration pasted into InDesign (right)

Note:

Before pasting a graphic, make sure thatIllustrator is configured to copy as AICB (see Illustrator Help).In InDesign, make sure that Prefer PDF When Pasting isn’t selectedin the Clipboard Handling preferences. If these options aren’t set properly,the Illustrator graphic cannot be edited in InDesign.

Issues you may encounter when pasting or draggingart from Illustrator to InDesign

Illustrator supports the Grayscale, RGB, HSB, CMYK, and Web Safe RGB color models. InDesign supports LAB, CMYK, and RGB. When you paste or drag artwork from Illustrator into InDesign, RGB and CMYK colors convert in the expected color model. Grayscale colors are converted to the appropriate K value in a CMYK color in InDesign. HSB and Web Safe RGB objects are converted to RGB color in InDesign. Colors in smooth shades and gradients can be edited in InDesign.

Linear or radial gradients created in Illustrator can bemodified using the Gradient tool or Gradient panel in InDesign.Gradients with multiple spot colors or complex patterns may appearas non‑editable items in InDesign. If your illustration containscomplex gradients, import it using the Place command instead.

Transparency is flattened when Illustrator art is pastedor dragged into InDesign.

Illustrator Graphic Styles don’t become InDesign Object Styles whenart is pasted or dragged into InDesign.

Illustrator objects filled or stroked with patterns becomeembedded EPS images when pasted or dragged into InDesign.

If you drag text from Illustrator into InDesign, it’s convertedto outlines and isn’t editable with the Text tool. If you selecttext using the Text tool in Illustrator, and then copy it into atext frame in InDesign, the text loses its formatting but is editable.If you drag the text into InDesign without a frame selected, thetext loses all formatting and isn’t editable.

Whenyou paste text from Illustrator, the text is imported as one ormore objects that can be transformed and colorized in InDesign,but not edited. For example, if you create text on a path in Illustratorand paste it into InDesign, the text can be colorized, rotated,and scaled, but it cannot be edited using the Type tool. If youwant to edit the text, use the Type tool and paste it into a textframe.

Artwork copied from Illustrator and pasted into InDesignis embedded in the InDesign document. No link to the original Illustratorfile is created.

You can place graphics created in Adobe Photoshop directly into an InDesign layout.

You can adjust the visibility of the top-level layers in InDesign,as well as view different layer comps. Changing layer visibilityor layer comps in InDesign does not alter the original Photoshopfile.

If you save paths, masks, or alpha channels in a Photoshopfile, InDesign can use them to remove backgrounds, or to wrap text aroundgraphics. Graphics that contain paths, masks, or alpha channelsact as transparent objects when imported.

If you place a Photoshop image with an embedded ICC color management profile, InDesign reads the embedded profile, provided that color management is active. You can override the embedded profile for the image using the Import Options dialog box or assign a different color profile to the graphic in InDesign. Overriding the color profile in InDesign does not remove or alter the profile embedded in the Photoshop image.

Spot-color channels in Adobe Photoshop PSD or TIFF files appear in InDesign as spot colors in the Swatches panel. If the image uses a spot color that InDesign does not recognize, the spot color may appear gray in the InDesign document and print incorrectly as a composite. (The image prints correctly on color separations, however.) To simulate the graphic as a composite, you can create a spot color with the correct color values, and then alias the PSD color to this new spot color. The graphic then prints correctly as composite and display correctly onscreen when Overprint Previewis turned on (choose View > Overprint Preview). Be sure to remove the alias before printing separations, so that the image prints on the plate you expect.

Using the Place command, you can specify which pages you want to import from a multipage PDF or an Illustrator file with multiple artboards. You can place a single page, a range of pages, or all pages. Multipage PDF files let designers combine illustrations for a publication into a single file.

The page range options appear when you select Show Import Options in the Place dialog box. See Acrobat (.pdf) and Illustrator (.ai) import options. The dialog box includes a preview, so you can view a thumbnail of the pages before you place them. If you place multiple pages, InDesign reloads the graphics icon with the next page, letting you place the pages one after the next. InDesign doesn’t import movies, sound, links, or buttons when you place a PDF file.

Comparing screen and device resolution in placedPDF pages

A placed PDF page displays at the best resolution possible for the given scale and screen resolution. When printed on a PostScript output device, a placed PDF page always prints at the resolution of the device. When printed on a non-PostScript printer, a placed PDF page prints at the same resolution as the other InDesign objects in the document. For example, vector (drawn) objects print at the same resolution as other vector objects in the document. Bitmap images print at the best resolution supplied in the placed PDF.

A placed PDF page appears in the InDesign document as an onscreen preview, which is linked to a specific page in the original PDF. After placing a PDF page, you may break links by doing any of the following:

If you add a password to the original PDF that has been placedin an InDesign document, and you update the link, you’ll be promptedto enter the password.
If you delete pages in the original PDF and update the link,the placed PDF page changes to the page that now falls on the originallyplaced page number.
If you reorder the pages in the original PDF file and updatethe link, the placed PDF page may be different from what you expect.When that happens, place the page again.

InDesign preservescolors embedded in PDF pages, even if the color comes from a colorlibrary not installed with InDesign (such as the PANTONE Hexachrome® library). In addition,any color traps included in a placed PDF page are preserved.

Whencolor management is active, InDesign displays the placed PDF usingits embedded ICC or output intent profile (PDF/X only). When colormanagement is turned off, or when you place a PDF that doesn’t containan ICC or output intent profile, colors in the placed PDF are calibratedusing the color profile in the InDesign document.

When youexport or print the document, you can preserve the ICC profile embeddedin the placed PDF or replace it with the document profile instead. Outputintent profiles are used for display and are included when you exportas PDF/X; they aren’t used when you print the document, and theyaren’t included when you export to any other format.

Becausea placed PDF page is linked to the original PDF, the placed pagealso includes the security settings of the original file. If someonelater changes the security settings in the original file, the securitysettings are updated in the placed PDF page when you update thelinks.

If you correctly enter a required master password whenplacing a PDF page, you override any restrictions in the PDF page,enabling the placed PDF page to export as expected.

Using the Place command, you can import pagesfrom one InDesign document into another. You can import a page,a page range, or all of the pages in the document. The pages areimported as objects (much the same way that PDFs are imported).

Add pages in your document to hold the pages you want to import.After you choose File > Place and select an INDD file,you can choose Show Import Options and thenchoose which pages to import, which layers to make visible, andhow to crop the imported pages. You can scroll in the Preview windowto examine the thumbnail pages closely. The page or pages you selectare loaded in the graphics icon. If you place multiple pages, InDesign loads the graphics icon with thefollowing page so you can import pages one after the other.

Note:

The Links panel lists the names of each page you imported.If a page you imported contains a graphic or other item that wasimported into it, this item is listed as well in the Links panel.The names of these secondary imported items are listed under a disclosuretriangle in the Links panel to distinguish them from imported pages.

InDesign supports a variety of graphics formats, including bitmap formats such as TIFF, GIF, JPEG, and BMP, and vector formats such as EPS. Other supported formats include DCS, PICT, WMF, EMF, PCX, PNG, and Scitex CT (.sct). You can import a SWF file as a movie file.

TIFF is a flexible bitmap image format supported by virtually all painting, image-editing, and page-layout applications. Also, virtually all desktop scanners can produce TIFF images.

The TIFF format supports CMYK, RGB, grayscale, Lab, indexed-color, and bitmap files with alpha and spot-color channels. You can select an alpha channel when you place a TIFF file. Spot-color channels appear in InDesign as spot colors in the Swatches panel.

You can use an image-editing program such as Photoshop to create a clipping path to create a transparent background for a TIFF image. InDesign supports clipping paths in TIFF images and recognizes encoded OPI comments.

Graphics Interchange Format (GIF) is a standard for displaying graphics on the World Wide Web and other online services. Because it compresses image data without losing detail, its compression method is called lossless. Such compression works well with graphics that use a limited number of solid colors such as logos and charts; however, GIF cannot display more than 256 colors. For this reason, it is less effective for displaying photographs online (use JPEG instead) and is not recommended for commercial printing. If an imported GIF file contains transparency, the graphic interacts only where the background is transparent.

TheJoint Photographic Experts Group (JPEG) format is commonly usedto display photographs and other continuous-tone images in HTMLfiles over the web and in other online media. The JPEG format supportsCMYK, RGB, and grayscale color modes. Unlike GIF, JPEG retains allof the color information in an RGB image.

JPEG uses an adjustable, lossy compression schemethat effectively reduces file size by identifying and discardingextra data not essential to the display of the image. A higher levelof compression results in lower image quality; a lower level ofcompression results in better image quality, but a larger file size.In most cases, compressing an image using the Maximum quality optionproduces a result that is indistinguishable from the original. Openinga JPEG image automatically decompresses it.

Note:

JPEG encoding, which can be performed on an EPS or DCS filein an image-editing application such as Photoshop, does not createa JPEG file. Instead, it compresses the file using the JPEG compressionscheme explained above.

JPEG works well for photographs, but solid-color JPEG images(images that contain large expanses of one color) tend to lose sharpness.InDesign recognizes and supports clipping paths in JPEG files createdin Photoshop. JPEG can be used for both online and commerciallyprinted documents; work with your prepress service provider to preserveJPEG quality in printing.

BMPis the standard Windows bitmap image format on DOS and Windows-compatiblecomputers. However, BMP does not support CMYK, and its color supportis limited to 1, 4, 8, or 24 bits. It is less than ideal for commerciallyprinted or online documents, and it is not supported by some webbrowsers. BMP graphics can provide acceptable quality when printedon low-resolution or non-PostScript printers.

The Encapsulated PostScript (EPS) file format is used to transfer PostScript language artwork between applications, and is supported by most illustration and page-layout programs. Typically, EPS files represent single illustrations or tables that are placed into your layout, but an EPS file can also represent a complete page.

Because they are based on the PostScript language, EPS files can contain text, vector, and bitmap graphics. Since PostScript cannot normally be displayed onscreen, InDesign creates a bitmap preview for an EPS file for onscreen display. InDesign recognizes clipping paths in Photoshop-created EPS files.

When you import an EPS file, any spot colors it contains are added to the Swatches panel in InDesign. EPS allows for prepress-quality resolution, precision, and color. This format includes all of the color and image data required to color-separate DCS images embedded in the EPS graphic. EPS isn’t ideal for online publishing in HTML, but it works well for online publishing in PDF.

EPS files can contain Open Prepress Interface (OPI) comments, which let you use fast, low‑resolution versions (proxies) of images for positioning on a page. For final output, either InDesign or your prepress service provider can automatically replace the proxies with high-resolution versions.

Adobe Illustrator Photoshop And Indesing

DesktopColor Separations (DCS), developed by Quark, is a version of the standardEPS format. The DCS 2.0 format supports multichannel CMYK files with multiplespot channels. (These spot channels appear as spot colors in the Swatchespanel in InDesign.) The DCS 1.0 format supports CMYK files without spotchannels. InDesign recognizes clipping paths in Photoshop-createdDCS 1.0 and DCS 2.0 files.

DCS files are intended to be used in a preseparated, host-basedworkflow. In most cases, color separations files associated witha DCS image are excluded when you export or print a composite toa PDF, EPS, or PostScript file. (The sole exception is made for8‑bit DCS files that were created in Photoshop and that do not contain vectorgraphics.)

InDesign can rebuild a composite image from DCS 2.0 or 1.0 separationsfiles, if the files were created in Photoshop. For best results,do not include DCS 1.0 files or DCS 2.0 files created in programsother than Photoshop when you are creating high-resolution colorcomposite proofs or separating a document in‑RIP or from a compositefile.

TheMacintosh PICT (or Picture) format is used for Mac OSgraphics and page-layout applications, and for transferring filesbetween applications. The PICT format compresses images that containlarge areas of solid color. InDesign can import PICT files createdfrom Mac OS screenshots and a variety of other applications,including clip art collections. However, PICT files are not recommendedfor high-resolution commercial printing.

InDesign supports RGB PICT images with variable resolutions andembedded QuickTime images. PICT graphics do not support color separations,are device-dependent, and are not recommended for high-resolutioncommercial printing. The PICT format can provide acceptable qualityonly when printed on low-resolution or non-PostScript printers.

Windows Metafile Format (.wmf)and Enhanced Metafile Format (.emf) files

Windows Metafile Format (WMF) and WindowsEnhanced Metafile Format (EMF) are native Windows formats used primarilyfor vector graphics, such as clip art, shared between Windows applications.Metafiles may contain raster image information; InDesign recognizesthe vector information and provides limited support for raster operations.Color support is limited to 16‑bit RGB, and neither format supportscolor separations. As a general rule, avoid using Metafile formats forcommercially printed documents.

The PCX formatis commonly used in Windows systems. Most Windows software supportsversion 5 of the PCX format.

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The PCX format supports RGB, indexed-color, grayscale, and bitmapcolor modes, as well as the RLE compression method, which is lossless.It does not support alpha channels. Images can have a bit depthof 1, 4, 8, or 24 bits. However, PCX is not ideal for commerciallyprinted or online documents. PCX graphics can provide acceptablequality only when printed on low-resolution or non-PostScript printers.

The PortableNetwork Graphics (PNG) format uses adjustable, lossless compressionto display 24‑bit photographs or solid-color images on the World WideWeb and in other online media. PNG was developed as a patent-freealternative to the GIF file format. It supports transparency inan alpha channel or a designated color. PNG is best used for onlinedocuments. Color PNG graphics placed in an InDesign document areRGB bitmap images.

The Scitex ContinuousTone (CT) format is used for high-end image processing on Scitexcomputers. Scitex CT files often come from Scitex scanners, which producehigh-quality scans for commercial printing. The Scitex CT format supportsCMYK, RGB, and grayscale files, but does not support alpha channels. ContactScitex to obtain utilities for transferring files saved in the ScitexCT format to a Scitex system.

Create and publish ebooks, brochures, flyers, postcards, posters, interactive page layouts, and more with Adobe InDesign.

Adobe Indesign Illustrator And Photoshop Cs6